The interpretation of a figurative work can indeed be subject to misunderstandings or misinterpretations. I am keen to raise this subject because it is visibly recurring for so many reasons and therefore becomes a generator of divergences.

I still have a very present memory of the hours of classes in Art School where the teaching evoked iconography in which it was a question of linking the composition to the intentional research of the artist and of being able to appropriate a certain reading considered qualitative to allow a better understanding of the work visualized. This analysis has always created for me

Very honored to be included in this selection, I really appreciated the initial philosophy of this event. Indeed, a collective exhibition is organized within this village for a period of 4 days and which ends with an auction. The conditions required to access this event as an artist are simple and respectful. Furthermore, the objective of the auction is to be able to raise funds for a local cultural association.

Visual pareidolia are part of optical illusions.

I wanted to talk to you about this work born from a sketch and a reflection following a debate with a friend, a painter like me. Together, we often discuss the course of life and its evolution. From memory, it seems to me that the comments made came from the observation, or rather from the way of evoking the term resilience through the current human posture.

Enter the universe that is mine, a space where the pen and the black stone dialogue with all simplicity on Arches 300g paper measuring 20 x 20. In this artistic journey, I invite you to discover the subtle fusion of these elements which give birth to unique works. This small square format, humble in appearance, is often the point of origin of my large-scale creations. Each stroke of the pen, each sketch of black stone, reveals a piece of the story that is being woven.

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