alain rouschmeyer
contemporary figurative painter
- artist - architect - urban sketcher -
Alain Rouschmeyer studied at the Beaux-Arts in Metz, graduated from the School of Decorative Arts in Strasbourg and graduated from the National School of Architecture in Lyon, he has been an artist since childhood, an architect by training and an urban sketching out of passion for sketching.
He is a painter of the living drawing his source from reality. He mainly paints on medium format canvas like windows opening onto a flamboyant universe. As a keen observer of the world, he analyzes the wandering of humans in the spaces crossed and their postures. This active approach allows him to capture the essence that animates everyday life and to extract inspiring poetry. The perception of this daily life leads him to define his position as artist - architect - urban sketcher.
His artistic itinerary invites him to work on architecture in which he likes to reflect on living spaces and the transversalities that define their uses. Like a poet-analyst, Alain Rouschmeyer's work navigates between reality and intimacy revealing attachment and detachment according to a conscious will. It explores the hidden dimension of everyday life which never ceases to challenge us like jazz music or warm blues.
Improvisation remains an important aspect of his artistic language. Rhythm, counterpoint and the search for harmony support a free, vibrant and spontaneous painting. The painter manages to give echo to the noises of our lives. The romanticism of which he fully assumes the contemporary and timeless translation inhabits the support as an involved space.
Between experience of reality and fantasized images, his work as a figurative painter touches us with its proximity and the sensitivity of his works.
his approach as an artist-architect-urban sketcher
Look, observe, feel and imagine as if to always better perceive the things of life and its daily life. The artist coming from an architectural universe never ceases to understand and let himself be seduced by the journey of humans in given spaces with this alternation of place and posture. The simplicity of a pose which becomes complicit in a space or a space which enhances the presence of a passage. Like a love story, a particular attitude or a body whose meanings we sometimes ignore. In this forest of signs, art is a wonderful revealer.
Interpret, script, as if to better define the fields of possibility between interior and exterior. This dimension which challenges the inside and the outside, the self and the others, order and disorder, fullness and emptiness or even image and history. These opposites which leave marks and determine the perception we can have of them. The artist plays with the decor by blurring it as well as sublimating it. The painting is in perpetual movement, time does not flow in a linear fashion. Cycles, back and forth between forms and subjects seem to run through the work.
The presence or absence as if to give free rein to the imagination of a short story in one act or a triptych in three parts. This figurative waltz is enriched by the sketch of a stolen moment, sometimes supported by symbolic graphics which redefine the limits of these opposites to present a characterized evidence. The artist frees himself from the shackles and opens new avenues in representation. His ambivalent approach at the crossroads of reality and imagination is profoundly human.
Like an exacerbated passion, composition is an integral part of his work and is complicit in making the subject inhabit its medium by involving it in its format. Like unfinished lace, between classicism and timelessness, we are invited to appropriate living spaces linked to our walks. Wandering, walking is a suspended moment where we find ourselves the better to lose ourselves on the paths of thought. It is this moment that the painter manages to retain in his paintings.






Art is not an end in itself. It is an engine of life, a catalyst of emotions and a wonderful means of expression. Alain Rouschmeyer's message is clear. These paintings are slices of life, gourmet approaches to everyday life that he manages to “crunch” with relish.
The artist constructs the story of his life through the prism of his encounters, travels and emotions. He writes down his moods on the canvas like a visual diary. Painting traps a real or fantasized moment, it is a wonderful trick of death, a trick of oblivion. Alain Rouschmeyer lets himself be carried away by his keen gaze and navigates the flow of his memories. The mechanics of memory attaches itself to places to sustainably inscribe a moment experienced. The artist composes in a similar way. Space is treated with the same force as humans. More than a simple setting, it is an emotional landscape. We experience the place at the same time as the characters represented. The experience is not just visual, we feel the atmosphere, perceive the scents and the murmurs that seem to escape from the work. The flow of time stops and we are spectators of a passage, of a moment which escapes us and which the artist manages to retain in his canvas.
Genre scenes, life scenes, landscapes, nudes, the artist does not close any doors. Technical mastery, the rendering of materials, the precision of gesture and the search for an aesthetic of bodies, shapes and colors is at the heart of his artistic approach. Rigor and sharp perception are abilities developed in particular by his initial training as an architect. His sensitivity to drawing is a fundamental aspect of his art. The quality of the line is remarkable, it is part of the signature of the painter/architect. The sketch becomes almost automatic writing. It is a starting point, a home port which allows one to unfold his story on the canvas. The artist summons his memories, his experience of places, landscapes, bodies... Architecture naturally takes a special place in his works. It must be interpreted as a living space, a playground, a dotted human presence.
The artist's talent is also expressed by his ability to tell us a story and take us with him into his intimacy . The choice of the figurative is not trivial, it offers us reassuring benchmarks, paths of identification so rarely taken by current contemporary creation and its cult of abstraction. The artist lays the foundations, he builds a decor, an atmosphere and lets us imagine what happens next. Objects take on a new dimension under his features. They become contemporary totems. An empty chair, a pair of shoes are enough to materialize the ghostly presence of a man and a woman who we could almost hear behind the canvas. Everyday music infiltrates the compositions like a sometimes nostalgic, sensual, catchy chant. A female model regularly appears in his paintings. Is this a muse? of a vestal guardian of the artist's inner fire? Alain Rouschmeyer paints with the hands of the creator, the gaze of the poet and the heart punctuated by the beauty that surrounds us. He explores and reinterprets classic subjects of art such as the representation of the bather so dear to the Impressionists or the chair, a flagship object of the avant-gardes. Nothing is left to chance in his paintings. The apparent spontaneity of the composition is the result of meticulous work of observation and aesthetic research.
The artist touches us with his sensitivity and his poetic approach to the world around him. His painting is generous, deeply nourished. His art is an invitation to embrace the day.
Andréas Alberti - Author, art critic, specialist journalist - June 2022
Acrylics, oils, drawings, watercolors…
“The artist explores the hidden dimension of everyday life which never ceases to challenge us like jazz music or warm blues.”
My story…
My father worked at home, installed in part of the living room to better be able to receive his clients. He had a workspace consisting of a fairly ordinary desk, almost medical in appearance with two visitor chairs and a corner return which created the necessary distance from the drawing board which faced the wall. Between the articulated lamps, the screw stool, the monstrous armchair on wheels, everything was positioned very close to the door with the appearance of an infernal machine. Depending on my moments of intrusion, I discovered my father either in a position applied to his desk, or in a position perched on his stool with his elbows on this vast inclined drawing board.
The desk, like the drawing board, allowed me an observer position with a very unique viewing angle, since my chin was always at the height of the board. I could thus see the ample, precise and very elegant movements of my father coming and going, holding a mechanical pencil or even a mechanical-looking graphos. If I stood on tiptoe, gaining a few centimeters, I could discover a global and grazing perspective of his work. I then alternated between the vision of the tip of a tool caressing its support and the distorted result of the whole. I was fascinated by the spectacle offered to me and which varied according to my postures and the leaves which were turning black. The alternation of his gestures almost matched the rhythm of his breathing and I never tired of observing his hands, his work, and his face which remained tirelessly focused on it.
On a regular basis, I pestered my father to try one of his tools, I felt an indefinable desire to be able to place my cheek on a table and reproduce what I had seen a few moments before. His negative and authoritarian responses replaced his delicacy which let me observe regularly and in monastic silence the waltz of his wrist. Saddened by my rejected requests, but my head full of images and… read more
the sketch… preparatory work
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2023 :
ART VUE Spring 2023 selection and mention for the work “CHILDHOOD SOUVENIR”
Honorary mention for the work “THE IMPORTANT IS… “ - INTERNATIONAL PRIZE FOR ART PROFESSIONALS 2022 - figurative category - MONDIAL ART ACADEMIA
2022 :
1st prize at the collective exhibition CASINO Grand Cercle in Aix les Bains - France - for the work “L’IMPORTANT C’EST…”
1st prize at the collective exhibition CASINO Grand Cercle in Aix les Bains - France - public prize for best artist.
Certified and i-CAC rated artist - PARIS - France
2021 :
1st prize Spring Exhibition - GALLEA Gallery - Canada with the work “HAND IN THE HAND”
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2023 :
Interview RADIO GRAND LAC Aix les Bains - September 2023
BRUSSELS ART VUE - Honorable Mention - Spring 2023 Magazine
2022 :
LIVING IN ANNECY - Evil #27 - November 2022 - Alain Rouschmeyer painting resurfaces
LOFT & DECORATION - Winter 2022 - Artists of the world - Alain Rouschmeyer painter
ARTMAJEUR Magazine N° 22 - Rising artists: Alain Rouschmeyer
2021 :
BRUSSELS ART VUE - Human body is art - Alain Rouschmeyer
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solo exhibitions
2024 :
Hotel BEAU SITE - Talloires - France
2022 :
GUSTAVE WORKSHOP - PARIS - France
Another dimension / Espace Johnson - Los Angeles - United States
2020 :
INFLUENCES / Influence Gallery - Moscow - Russia
group exhibitions
2023 :
ART CHAMPERY - CHAMPERY - Switzerland
St Georges Gallery - LYON 5th - France
“A look at art” - 74 ETREMBIERES - France
6th CONTEMPORARY ART FAIR - Casino Grand Cercle - Aix les Bains - France
2022 :
GUSTAVE WORKSHOP - PARIS - France
5th CONTEMPORARY ART FAIR - Casino Grand Cercle / Moorish hall - Aix les Bains - France
WIEN ART FAIR - Palais Palffy - Vienna - Austria
LUXEMBOURG ART PRICE - La Pinacothèque - Luxembourg
EXPOMETRO - Los Angeles - United States
2021 :
BUSINESS ART FAIR - Espace Nesle - Paris - France
4th CONTEMPORARY ART FAIR - Casino Grand Cercle / Moorish hall - Aix les Bains - France
SPRING EXHIBITION - Galerie Galléa - Canada-Selection of the work “HAND IN HAND”
XXII Esart Galeria International Exhibition / Esart Gallery - Barcelona, Spain
LUXEMBOURG ART PRICE - La Pinacothèque - Luxembourg
2020 :
LUXEMBOURG ART PRICE - La Pinacothèque - Luxembourg
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private collections
2022 :
1 work in private collection in Basel - Switzerland
1 work in private collection in Metz - France
1 work in private collection in the Canary Islands - Spain
1 work in private collection in Milan - Italy
1 work in private collection in Venice - Italy
1 work in private collection in Athens - Greece
2021 :
3 works in private collection in Annecy - France
2 works in private collection in Geneva - Switzerland
3 works in private collections in Brussels - Belgium
2 works in private collections in Los Angeles - United States
2020 :
3 works in private collection in Barcelona and Madrid - Spain
2 works in private collection in London - England
2019 :
2 works in private collection in Milan - Italy
1 works in private collection in Geneva - Switzerland
2018 :
2 works in private collection in Lyon - France
1 works in private collection in Tunis - Tunisia
1 works in private collection in Marrakech - Morocco
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Discover the two quotes obtained by clicking here
along the way...
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Art has always been second nature to me, largely due to the environment I grew up in. My childhood home was both a place to live and a sanctuary dedicated to architecture… read more
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Architecture, often perceived as the science of construction and the art of building, goes far beyond its primary function of creating shelters or structures. She also embodies a professional artistic expression… read more
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My journey as a contemporary figurative artist has led me on a fascinating road, where the complexity of human anatomy combines with the study of ergonomics. At the heart of my work is… read more
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My journey as a contemporary figurative painter is not conventional. Indeed, it is marked and influenced by my training and my passion for architecture. This interrelation… read more
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Complicity is an intangible notion, a silent dance between two souls who recognize each other and share a silent secret. As a contemporary figurative artist, I try to capture the essence… read more
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Since my beginnings in the artistic world, I have always been fascinated by the way in which we, as human beings, seek to capture, understand and express our perception of the world… read more
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My path into the art world is deeply rooted in my journey as an architect. Each drawn line, each sculpted volume, each shade of color is influenced… read more